A barely annotated link, newssource, and art software politics

Warren Ellis, as one of my readers knows, and the other perhaps does not, has some interesting things to say about the future. He address the issue of where your jetpack is, and why we are not on mars yet with the following witty phrases.
People are disappointed with the future they’re living in. Since 2001, the refrain has gone up, louder year by year: “This is the future. Where’s my flying car? Where’s my fucking jet pack?” Pre-millennium, we were living in an unprecedented density of imagined futures, and we assumed it was all waiting for us around the corner. And here we are, around the corner, and none of it is standing here.
well, acutally that block quote was totally worthless, but I assure you, the rest of the article is solid gold platinum, the only heavy metal worth dealing in.

link

Speaking of articles, I decided last night to become a contributer to the wikinews project. I edited three drafts, and today they have come up on the front page (although they did not make it to the rss feed). I would love to just barely annotate this link, but I think that is in bad form, so let me let you in on what I think. I am not a newsreader by any measure, but I do enjoy finding out about interesting items in the news. I am not a newswriter either, but I do enjoy helping others find out about what is going on in the world. So therefore, wiki is for me, the one that does but doesn't.

A third item that I would like to mention is that adobe software (specifically aftereffects) is really a pile of crap. Sorry, let me extrapolate that a little further... The aesthetic of much of the after effects work that I see is based heavily on the tool, a very plugin centric sort of game. The problem that I have is that the tool requires you to wait for a very long time to create these effects. Why can't it realtime render? Would that have been so hard? I have seen the effects that I am trying to create done in real time in video games, and at higher resolutions as well.

I think that the reason that after effects does not render in real time is because adobe is in line with hardware manufacturers. Just an unsupported thought.

Holding it down

I would like to try a new method of posting that will hopefully create better posts for readers, and that will in turn make me happier about what I post to this blog. This method will be working on a post every day, but only posting every two days.

I working on an animation right now (or should I say, I am trying to work on it, but this dang browser window is in my way) and while working on it, I am questioning myself about what it is worth and why I am doing it... I have yet to come up with an answer, other than, it is cool and maybe will help me get a job in the future.

I also have finished up a little patch that controls audio playback based on how fast I play the drums, and it is a bit of a dope ass guitar solo type thing. I am going to make a music video for it tomorrow (or later tonight, perhaps, and post it on this blog).

Sometimes I think that if I had worked a bit more on writing in school my writing in general would be better. What makes this writing bad? I think that perhaps it is both because I don't have enough questions, nor do I have enough answers, I just have a head full of globo-corporati caffine and a broken keyboard. This combination clearly results in some fustration, but I know you, fine reader (and friend) can deal with it.

I would like someone to throw me a birthday party. I will provide links to all of my profiles on webbased personal services, if you would like. Really, what I am looking for is the opportunity for me and my friends to all drink ourselves into submission while listening to some good music. Ok, wait, I actually just want to have a dance party. I have some Dj friends. ok, lets make this happen. together we will stand strong, celebratory, with our fists held high in the air, sweat streaming off of our bodies, empty of all consciousness save for the fact that we remember that stupid post that we wrote on the internet (to our audience of 2) fantasizing about our party.

also, I would like to have the type of mind that produces poorly formed thoughts suitable for printing on the back of japanese peoples t-shirts. There is something really good about the two words "fuzzy robot".

Vday.

so, I did my week (was it two?) of blogging every day, and I think that I came up with a few good pieces of content, but it was really cutting into my time, and I could not keep up with it. I would like to do it again some week, but I am not really sure when.

Zero Quality Control 2 is out now, and I have sold about half of the issues already. If you would like a copy, it is only a dollar, and I would be glad to accept your paypal payment (just make sure to include your address for shipping). I think I will release it on the web within the week, but you know, paper is cool!



I have been working a bit on a floppy disk album, which I hope will be about 10 songs and a music video. I think that most people are not using floppy disks anymore, but whatever. I will also release it on the internet simultaneously. It is quite the challange to fit a whole album on a floppy disk, but the methods remind me of the good old gameboy, so that is pretty exciting.

I had a funny idea for a photoseries involving my webserver blowing up, after me hosting some delicious extension on it, but I don't have a digital camera. Hahaha, I remember those times when I tried to pass off the gameboy camera as a digital camera. oh, man, good times.

Also, to contribute to the global metadata, I have this link for you today, connecting you to the always amusing Josh at fireland. He contributes some nice thoughts about where the web went, and coming from 2003 it is pretty insightful. Let me block quote a little for you, so that you can laugh along, and maybe even hit the hyperlink.
The weblog—and I’m using the original definition here, namely oft-updated annotated links—became the default personal site. I mean of course: it’s easy content. It’s like when you’re in the office kitchen trying to like maybe quietly enjoy a juice box for once and some guy comes in and starts reading the paper and saying Can you believe that? And: What do you make of that?
oh, man, this guy is smart. Feel free to peruse the rest of his site!

Tales from the Crypt

This sounds cool:

For those of you who have a car that can be unlocked
by
that remote button on your key ring: If you lock your
keys in the car and the spare keys are home, and you
don't have "OnStar," here's your answer to the
problem:

If someone has access to the spare remote at your
home,
call them on your cell phone (or borrow one from
someone if the cell phone is locked in the car too!)
Hold your (or anyone's) cell phone about a foot from
your car door and have the other person at your home
press the unlock button, holding it near the phone on
their end. Your car will unlock. Saves someone from
having to drive your keys to you. Distance is no
object. You could be hundreds of miles away, and if
you can reach someone who has the other "remote" for
your car, you can unlock the doors (or the trunk, or
have the "horn" signal go off, or whatever!)

(Editor's Note * It works fine! We tried it out and it
unlocked our car over a cell phone!) Distance doesn't
seem to be a factor.


Not Quite Net.Label

While watching a Cory Doctorow speach tonight on the web, I came up with a nice idea. He mentioned that asimov's science fiction magazine payed very small amounts to a very small percentage of the writers that submitted (i.e. the few writers that got published).

So, what net.labels are able to pay artists for music that they host? I think that I could pony up a dollar per a release if I ran a net label. I guess what I am trying to say is that giving away hosting is not enough of an incentive for me to send music to other people to allow them to distribute. The net.labels are getting something out of it as well, right?

also, how do you feel about this new text size? I like it.
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